Latest Entries

Neither a Doozy Nor a Firework

F. Scott Fitzgerald‘s novel The Great Gatsby has been either overpraised or overdismissed.  I think that both are reactionary attempts to assert one’s opinion, particularly in the realm of academic writing.  I do not think that The Great Gatsby is a definitive American novel nor do I think that it is a mediocre work of idealistic fiction.  Hemingway’s thoughts … Continue reading »

Australian Girlhood

Gillian Armstrong‘s My Brilliant Career (1979) has often been described as a “feminist film,” and Armstrong as a “feminist director.”  She directed Little Women (1994), Oscar and Lucinda (1997), and Charlotte Gray (2001) to name a few.  After seeing her first feature film, My Brilliant Career (which will be the focus of this post), I cannot say that I agree with such a simplistic designation, … Continue reading »

The Erotic Innocence and Experience

“When does a boy become a man?” asks 12 year old Noura.  The older man looks at Noura, gives him a mysterious smile, and leaves the question unanswered.  Such a question is the subject of a film Halfaouine: Boy of the Terraces (1990, Arabic title: عصفور سطح – roughly translated “Rooftop Bird”), directed by Ferid Boughedir.  The story … Continue reading »

Seeking Empowerment, Selling Sex

“There is something not right with this film,” I kept saying to myself as I was watching it.  The film in question is Elles (2011), a French-Polish-German production directed by Polish director, Małgorzata Szumowska.  The film tells a story about a French journalist, Anne (played by Juliette Binoche), who is writing an article on the lives of … Continue reading »

The Mysterious Iris Murdoch

Recently, I saw Richard Eyre’s film Iris (2001), a biographical exploration of life and death of the novelist Iris Murdoch.  I have seen it before, and the film was of particular interest to me because I enjoy novels of Murdoch very much.  My first book I read of hers was The Italian Girl and ever since then I have … Continue reading »

No Explosion At All

I am extremely cautious when I hear that someone made an independent film, or as they are called in the film industry, indie.  Just like anything, it becomes a brand of its own and a director or a writer wears the supposed badge of filmmaking courage proudly for all to see.  Cassavetes (whose work and courage I admire immensely) … Continue reading »